By Barbara Hodgdon, W. B. Worthen
A better half to Shakespeare and function offers a cutting-edge engagement with the quickly constructing box of Shakespeare functionality experiences.
- Redraws the bounds of Shakespeare functionality reviews.
- Considers functionality in a number media, together with in print, within the lecture room, within the theatre, in movie, on tv and video, in multimedia and electronic varieties.
- Introduces vital phrases and modern parts of enquiry in Shakespeare and function.
- Raises questions on the dynamic interaction among Shakespearean writing and the practices of up to date functionality and function reports.
- Written via a world staff of significant students, lecturers, theatre makers.
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Extra info for A Companion to Shakespeare and Performance
In The Poetics of Space, Bachelard brilliantly illuminates the ways in which domestic architecture responded to the human desire for pockets, hideaways, and unseen interiors by creating elaborate closets, doors, attics, and ornate doorknobs. 2005 11:18pm Peggy Phelan organs of the secret psychological life. Indeed, without these . . our intimate life would lack a model of intimacy’’ (Bachelard 1969: 78). Perhaps without theatre architecture, drama itself would lack a model of intimacy. When Hamlet ushers in the emotional atlas of the well-chambered play that bears his name by saying: ‘‘I have that within which passeth show,’’ his statement is both a reference to the scene in which he plays the grieving son, and a reference to the pockets of the house he will soon turn inside out.
As Halpern argues, ‘‘By so clearly violating the political rationality of the history plays and by incorporating so many mythic or folkloric elements, the division of the kingdom signals the play’s generic allegiance to the ‘timeless’ realm of romance – an allegiance suggested as well by the setting, at once medieval and pre-Roman and indeterminately ‘long ago’ ’’ (1991: 218–19). The difficulty of locating the play’s genre is reflected in the differing titles of the Quarto and the Folio. In the Quarto, the title page reads, True Chronicle Historie of the life and death of King Lear .
As this secret is exposed, Cordelia sees her own power to hurt and her own interest in overlooking Lear’s startling caprice. The thematic links between blindness, the unforeseen, and the overlooked are worked out with an often cruel literalness as the play continues. Cordelia’s ‘‘nothing’’ flattens the structure of the family, and since this is a political family, the subsequent upheaval disrupts the political and geographical boundaries of England (Gillies 2001, Brayton 2003). This is another way of saying that love, and its inevitable misfires, have large consequences.
A Companion to Shakespeare and Performance by Barbara Hodgdon, W. B. Worthen