A Report on the Afterlife of Culture by Stephen Henighan PDF

By Stephen Henighan

ISBN-10: 1897231423

ISBN-13: 9781897231425

In this essay assortment, Henighan levels throughout continents, centuries and linguistic traditions to ascertain how literary tradition and our conception of heritage are altering because the global grows smaller. He weaves jointly bold literary feedback with front-line reporting on occasions akin to the tip of the chilly conflict in Poland and African reactions to the G8 Summit.

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In La condition postmoderne (1979) the French philosopher Jean-François Lyotard, who is often credited with defining the term “postmodernism,” traces the beginning of contemporary culture’s separation from the great narratives of Western civilization to the late 1950s. Lyotard identifies this as the moment when Europe completes its post-Second World War reconstruction. ” Yet the Europe whose post-war reconstruction Lyotard witnessed was “Western Europe,” itself a concept minted by the Cold War, and one that would disappear after 1989.

Four of the novels – those by Remarque, Solzhenitsyn, Huxley and Heller – would be strong contenders for inclusion in a more literary assessment of classic fiction, although Fowles, Eco and possibly Atwood might count as also-rans. K. provenance, but what is more surprising is the emerging uniformity of taste: this list would have differed little had the book clubs surveyed been located in Winnipeg or Tucson or Melbourne or Cape Town, or even in some cities outside the English-speaking world (book clubs, friends tell me, are becoming all the rage in Germany and France).

The rebuilt Stare Miasto is not an extension or direct emanation of early modern European tradition: it is, rather, the afterlife of that culture. In its subordination to the image and its appeal to a putative democratic inclusiveness (the individual citizens mailing in photographs and paintings, the individual tourist taking a photograph of Mam children that differs from all other photographs) the Stare Miasto incarnates the type of object that is produced during the afterlife of culture. It resembles the hybrid novels, both literary and commercial, that characterized the first wave of post-1990 English-language publishing.

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A Report on the Afterlife of Culture by Stephen Henighan

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