By Charles Burkhart, William Rothstein
A landmark selection of 141 entire musical compositions and hobbies from the common-practice interval, Anthology for Musical research: The Common-Practice Period bargains newcomers of song thought a wealth of illustrations of chords, voice-leading concepts, and varieties.
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Additional resources for Anthology for Musical Analysis: The Common-Practice Period (7th Edition)
12 IN B MINOR Handel 33 Copyright 2013 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s). Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it. indd 33 14/11/13 11:02 AM 34 PART ONE — Baroque Compositions Copyright 2013 Cengage Learning.
Indd 16 14/11/13 11:02 AM ALLEMANDA Corelli 17 ALLEMANDA from Trio Sonata, Op. 4, No. 11 (1694) Arcangelo Corelli (1653–1713) The trio sonata was the commonest type of Baroque chamber music. 5 This Allemanda is the final movement of a three-movement sonata and features “walking bass” and suspensions throughout. How are the suspensions produced in bars 5–6? Is there a term for this process? Make one up. , and the introductory comments). 5 Copyright 2013 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part.
Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it. indd 27 14/11/13 11:02 AM 28 PART ONE — Baroque Compositions aria The Notebook included some vocal compositions. Here the treble is for the voice, while the bass is to be realized by a keyboard player in the manner of an unfigured bass. The amusing text, a poem entitled “Edifying Thoughts of a Tobacco Smoker,” is translated in The Bach Reader, ed. H. David and A. Mendel (New York: Norton, 1945; repr.
Anthology for Musical Analysis: The Common-Practice Period (7th Edition) by Charles Burkhart, William Rothstein