Steve Mentz's At the Bottom of Shakespeare's Ocean (Shakespeare Now) PDF

By Steve Mentz

ISBN-10: 1847064930

ISBN-13: 9781847064936

We want a poetic background of the sea, and Shakespeare will help us locate one. There’s extra genuine salt within the performs than we'd anticipate. Shakespeare’s dramatic ocean spans the God-sea of the traditional global and the big blue vistas that early smooth mariners navigated. all through his occupation, from the outlet shipwrecks of The Comedy of mistakes throughout the Tempest, Shakespeare’s performs determine the sea as surprising actual fact and mind-twisting image of swap and instability. To fathom Shakespeare’s ocean – to move right down to its backside - this book’s chapters specialise in various things that people do with and in and close to the ocean: fathoming, protecting watch, swimming, beachcombing, fishing, and drowning. Mentz additionally units Shakespeare’s sea-poetry opposed to smooth literary sea-scapes, together with the large Pacific of Moby-Dick, the rocky coast of Charles Olson’s Maximus Poems, and the lyrical waters of the postcolonial Caribbean. Uncovering the depths of Shakespeare’s maritime global, this booklet attracts out the centrality of the ocean in our literary culture.>

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Extra info for At the Bottom of Shakespeare's Ocean (Shakespeare Now)

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The spar rescue reduces social bonds to a minimal, fragmentary structure. 86). Alone like Pip on opaque waters, this symmetrical family – whose mirror-structures generate the “errors” of the play’s middle acts – shows human bodies and communities at the mercy of the sea. Egeon’s family doesn’t receive Pip’s multitudinous visions; they instead see a world become ocean: alienating, threatening, and vast. Faced with immersion, Egeon learns to survive the Aegean through patience and a deep fatalism.

Edgar’s description of Dover Beach, far below the imaginary verge to which he tempts his father, gives the ocean provisional order. Acting pits itself against the sea, and momentarily the waters shrink and seem less terrifying: The fishermen that walk on the beach Appear like mice, and yon tall anchoring barque Diminished to her cock, her cock a buoy Almost too small for sight. The murmuring surge That on th’unnumbered idle pebble chafes, Cannot be heard so high. I’ll look no more, Lest my brain turn and the deficient sight Topple down headlong.

Pip’s madness creates a new attitude toward the sea. He ends up with neither Ahab’s rage nor Ishmael’s obsessive curiosity; he neither fears the sea like Othello nor learns from it like Lucretius’s philosopher. ” Deep in the watery world, he ceases to care about land, or self, or white whale. This abstraction of self, this alienation from things in the world, is swimming’s wisdom. Like Egeon, Pip’s dead while living. Egeon’s Loss Surviving Pip’s fate, Egeon represents what the waters cannot drown.

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At the Bottom of Shakespeare's Ocean (Shakespeare Now) by Steve Mentz


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